“PUMP” BY VALENTINA KHODNEVICH
In the realm of contemporary video art, Valentina Khodnevich’s PUMP emerges as a compelling exploration of the human body’s sculptural and kinetic potential. Released in October 2024, this short film delves into the intricate geometry of movement, seamlessly blending contemporary choreography with an architectural perspective.
Khodnevich, a London-based video artist with a background in art and design, plastic theatre, and filmmaking, has consistently demonstrated a penchant for experimental media and narrative storytelling. Her previous works, such as Sun and NIEB, have showcased her ability to intertwine human behaviour with visual artistry. In Sun, she celebrated everyday routines through cyclical 16mm dance sequences, while NIEB offered a poignant metaphor on the ongoing war in Ukraine and the complexities of national identity.
In PUMP, Khodnevich collaborates with movement director Jasiah Marshall and dancer Kasia Kuzka to transform the human form into a dynamic sculpture. Their performances emphasize symmetry and the poetic qualities that emerge from choreographed motion, creating a visual dialogue between the body and space.
The film’s aesthetic is further enriched by sculptural garments from London label HARRI, which serve as striking art pieces within the setting. These garments complement the metallic frameworks of Mexican artist Pedro Resendez, whose geometric designs echo the choreography, weaving a cohesive narrative that bridges human motion and architectural aesthetics.
Khodnevich’s direction reflects on the universal geometry connecting our surroundings and anatomy. Imagery of hands shaping strings underscores the body’s adaptability, positioning PUMP as a meditation on the fluidity of form and the intersection of art, design, and human experience.
The film’s visual language is further enhanced by its use of 16mm film, lending a tactile quality that complements its thematic focus. This choice aligns with Khodnevich’s previous work, such as Sun, where she employed similar techniques to explore human routines.
PUMP has garnered critical acclaim, recently being shortlisted for multiple awards and securing the Silver Winner position at One Point Four’s 2025 Awards. This recognition underscores the film’s innovative approach to video art and its resonance within the contemporary art scene.
Readers interested in exploring Khodnevich’s work further can visit her director’s page for additional information and insights.
