https://www.clastmagazine.com/articles daily 0.75 2025-10-29 https://www.clastmagazine.com/articles/pump-by-valentina-khodnevich monthly 0.5 2025-10-29 https://images.squarespace-cdn.com/content/v1/68b3039cb2488a6cd371585a/0f2a3393-1f2d-4582-9984-4ca5e2b69522/HARRI_CC.01_01_52_18.Still076.jpg ARTICLES - “PUMP” BY VALENTINA KHODNEVICH - Make it stand out Khodnevich, a London-based video artist with a background in art and design, plastic theatre, and filmmaking, has consistently demonstrated a penchant for experimental media and narrative storytelling. Her previous works, such as Sun and NIEB, have showcased her ability to intertwine human behaviour with visual artistry. In Sun, she celebrated everyday routines through cyclical 16mm dance sequences, while NIEB offered a poignant metaphor on the ongoing war in Ukraine and the complexities of national identity. https://images.squarespace-cdn.com/content/v1/68b3039cb2488a6cd371585a/04b10791-99dc-48aa-8b42-22c6832015b9/HARRI_CC.01_01_41_24.Still069.jpg ARTICLES - “PUMP” BY VALENTINA KHODNEVICH Khodnevich’s direction reflects on the universal geometry connecting our surroundings and anatomy. Imagery of hands shaping strings underscores the body’s adaptability, positioning PUMP as a meditation on the fluidity of form and the intersection of art, design, and human experience. https://images.squarespace-cdn.com/content/v1/68b3039cb2488a6cd371585a/ce1f5f93-9930-44f5-9b34-d84a49cd31b9/HARRI_CC.01_01_11_23.Still038.jpg ARTICLES - “PUMP” BY VALENTINA KHODNEVICH - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.clastmagazine.com/articles/hengdi-wangs-ss26-debut-exogenesis-at-london-fashion-week monthly 0.5 2025-10-03 https://images.squarespace-cdn.com/content/v1/68b3039cb2488a6cd371585a/28ee2b44-f958-481f-820d-982d5ec1be80/HengdiWang_SS26_Runway_by_MarcusHartelt_for_LFW_15.jpg ARTICLES - Hengdi Wang’s SS26 Debut ‘EXOGENESIS’ at London Fashion Week London Fashion Week generally has its fair share of shows that typically end up as filler posts for Instagram feeds of brands attempting to be culturally woke, Hengdi Wang’s SS26 debut wasn’t one of them. It was strange, dark & a memorable way to end the week of show’s & too many free cocktails at afterparties. The collection, EXOGENESIS, pulls from Eastern mythology, building it into a post-human future. “Clothing is not merely worn. It becomes a container of time, a vessel of collective memory.” I would often agree, lines like that are usually agency one-liners, but watching the show, I’d be inclined to believe it. These outfits were future relics, possibly weapons, & maybe even warnings? On the runway, the models carried themselves like survivors of some unspoken catastrophe; Layered with rebuilt bones, scales & armour through 3D-printed metals & fabrics laser etched with what Wang called “Mechanical Oracle Script”. The mythical ideology of the Shan Hai Jing didn’t show up literally. Instead warped into extraterrestrial silhouettes. https://images.squarespace-cdn.com/content/v1/68b3039cb2488a6cd371585a/dfc3b6bc-ea07-4be4-b076-b96c9b8c79d4/HengdiWang_SS26_Runway_by_MarcusHartelt_for_LFW_17.jpg ARTICLES - Hengdi Wang’s SS26 Debut ‘EXOGENESIS’ at London Fashion Week There’s something confrontational about clothes that don’t want you to feel comfortable in them. These pieces looked like they might cut you if you touched them wrong, & likely took an hour to get out of, but they also brought this strange softness in fragility and strength. I thought the duality gave the show a real weight. A lot of fashion week is about selling a fantasy of beauty. Wang seemed more interested in building a world where this wasn’t the most relevant of pursuits. Instead, a space where survival, memory, and mythology are what keeps the work moving forward. At the end, instead of just the usual parade and applause, the audience left with a complimentary bag made from the same materials as the collection. Not typical glossy merch, but a piece of the world we’d just walked through. Wang comes from jewellery design, which explains the obsession with detail and structure. He’s dressed the likes of Gaga and FKA Twigs, but this show wasn’t about celebrity, & not spectacle in the typical way. It was about showing what happens when fashion stops caring about status and starts imagining. Wang’s debut mattered. It was both mythological & physical, showing the persistent idea through the show of clothes being able to hold stories older than us, and maybe last longer than us too. Walking out, bag in hand, it didn’t feel like free material. It seemed proof that this debut marked a refreshing approach, and a designer worth looking out for. https://www.clastmagazine.com/articles/timisola-shasanya-amp-ella-douglas-at-hifi-london-ss26 monthly 0.5 2025-09-22 https://images.squarespace-cdn.com/content/v1/68b3039cb2488a6cd371585a/a1fd0298-1612-44b8-8df4-4f581652565e/DSC_7410.jpg ARTICLES - Timisola Shasanya & Ella Douglas at HI:FI London SS26 - Timisola Shasanya: Runners From CSM to the warehouse floor, Shasanya wasted no time announcing herself. Runners felt like a bridge of memory & momentum: sharp tailoring parallel with textile experiments that carried her biography in the fibres. Waxed cottons and silks against tarpaulin bags salvaged from her father’s farm; broom bristles and leathers from Kano were reworked. Even the footwear, hand-built in Lagos by a local cobbler, came charged with reason. Styled by Karen Binns and finished with Vanya Sundari’s jewellery, the collection was dark. More than clothes, Runners felt like a motion: restless, vulnerable, and unafraid. https://images.squarespace-cdn.com/content/v1/68b3039cb2488a6cd371585a/064de18a-4b32-419d-b39d-6c50e83d9775/DSC_7513.jpg ARTICLES - Timisola Shasanya & Ella Douglas at HI:FI London SS26 - Ella Douglas: Office Couture, Grease-Stained Then came the PVC curtain, Ella Douglas dropped guests into the in-between: an office wedged inside a lesbian-owned garage, half admin hub, half engine bay. Her clothes picked up the rhythm of that world. The collection wasn’t parody; it was reclamation. Against glamour belonging only to the glass towers of Canary Wharf. Within the collection, polish met grit, femme power claimed the shop floor, and business casual stripped down & reimagined. https://www.clastmagazine.com/articles/annie-purdy-at-the-portuguese-embassy-lfw-ss26 monthly 0.5 2025-09-22 https://images.squarespace-cdn.com/content/v1/68b3039cb2488a6cd371585a/fab8da41-80cb-4405-9570-7d294d6a032e/P2300157.jpg ARTICLES - Annie Purdy at the Portuguese Embassy, Lfw SS26 The collection, hand-crafted in Portuguese leathers, felt equal parts precision and poetry. Classic silhouettes were reimagined through experimental forms, each design carried an idea of balance, delicacy & heritage. “It was inspired by the relationship between craft and innovation,” Purdy notes, “looking at how traditional shoemaking skills can coexist with experimental, forward-thinking design.” The designer’s fresh aesthetic is also brought to life through highlighting the potential of “footwear as both a functional object and a storytelling medium, drawing on themes of resilience, adaptability and contemporary culture.” https://images.squarespace-cdn.com/content/v1/68b3039cb2488a6cd371585a/e8e51530-8fd6-494b-b0b6-44c54a422d8b/P2300399.jpg ARTICLES - Annie Purdy at the Portuguese Embassy, Lfw SS26 The results leaned contemporary but grounded: shoes that held stories, without sacrificing their function. “It taught me to consider longevity, function and the lifecycle of a product from the outset,” she reflects, pointing to the ways her practice is shifting toward durability as much as aesthetics. “Going forward, I will continue to embed these considerations into my practice, ensuring my work always bridges narrative, design integrity, and sustainable responsibility.” https://images.squarespace-cdn.com/content/v1/68b3039cb2488a6cd371585a/e64b7184-6d49-4f95-8249-ad2449a7fd82/P2300338.jpg ARTICLES - Annie Purdy at the Portuguese Embassy, Lfw SS26 - (Left) Annie Purdy, designer For APICCAPS, the association behind the award, the evening was as much about showcasing Portuguese craftsmanship as it was about Purdy’s debut. Reflecting on the inaugural edition of the Portuguese Footwear Award, Purdy says, “No single designer can solve these challenges alone. It requires shared expertise, cross-disciplinary approaches and an open dialogue throughout the supply chain.” In the Embassy, heritage and modernity were not in opposition. Purdy’s debut did not feel like a student stepping out, but like a designer creating her place in the industry. If the evening proved anything, it’s that when craft and imagination meet on equal terms, shoes become more than accessories, instead statements of intent. APICCAPS’s mission also shone through the event, highlighting how the organisation “strengthens Portugal as a leader in cutting-edge technology and creativity” and “harnesses the best of craft and tradition” while continuing to invest in sustainable innovation through projects like BioShoes4All. https://www.clastmagazine.com/articles/karina-bond-presents-ss26-the-midnight-sun monthly 0.5 2025-09-22 https://images.squarespace-cdn.com/content/v1/68b3039cb2488a6cd371585a/e8660292-999f-4d8d-9a6a-ec5bb7c5b620/Karina+Bond+SS26+4x5+019.jpg ARTICLES - Karina Bond Presents SS26: The Midnight Sun - (left) Karina Bond, Designer The 21-look ready-to-wear and couture collection continues Bond’s exploration of cutting-edge technology and artistry. The majority of the pieces are created entirely by hand using biocompatible, biodegradable TPU and PLA filaments drawn “from thin air” with a 3D pen. These zero-waste garments sit between sculpture and clothing, a futuristic second skin and progression into a new fashion dawn. Highlights include the show’s finale, the Desert Rose dress. A development from last season’s 3D textiles which imitated fabric, this look exemplifies her futuristic design language. This dress is composed of over 5,000 individually hand drawn discs inspired by crystalline desert formations. As Bond explains, “it’s a design which would have been impossible to imagine in the past, that no fabric could replicate.” https://images.squarespace-cdn.com/content/v1/68b3039cb2488a6cd371585a/0c3bf725-0d35-47ab-a774-0fbba9b97354/Karina+Bond+SS26+4x5+010.jpg ARTICLES - Karina Bond Presents SS26: The Midnight Sun This September, Bond debuts accessories, a first for the British designer. Self-assembled, 3D printed handbags, which will become a collectible item with a seasonal drop. A collaborative jewellery line with Vicki Sarge features 3D-printed stones and intricate metalwork, with select items set for commercial release at a private Kensington boutique launch later in the month. With The Midnight Sun, Karina Bond describes a radical vision for the future of fashion. Credits: Styling: Borna Prikaski | Hair: TONI & GUY team led by Efi Davies | Make-up: Seoulista Beauty & By Terry team led by Lan Nguyen-Grealis | Nails: Giulia Oldani | Jewellery: Vicki Sarge | Shoes: Natacha Marro | Tights: FALKE | Millinery: Virna Pasquinelli & Genevieve La Valle | Venue: The Vestibules, Freemasons Hall | AV: Kieron Garlic, Present Communications | Production: Vikki Burns, Go2Show | PR: Cellar Communications https://www.clastmagazine.com/articles/octi-presents-the-rocks-ss26 monthly 0.5 2025-09-22 https://images.squarespace-cdn.com/content/v1/68b3039cb2488a6cd371585a/b30c0bb0-290b-4ae4-8f57-c8052aae6f2f/Octi+SS26+The+Rocks+15.jpeg ARTICLES - Octi Presents The Rocks: SS26 The presentation was immersive and sensory, divided into three distinct islands, each evoking its own climate, colour palette, and scent, yet unified through shared patterns and jewellery. The journey begins on the Jurassic Island, inspired by the dramatic rock formations of the UK’s Jurassic Coast. Chains of rocks hang above mounds, dotted with ‘fossils’ including jewellery and metallic forms. Sculptures by Lucy Page and collaborative rock-metal hybrids from Ebb Collective mirror the textures of the collection itself. “Other formations in collaboration with Ebb Collective merge rock with metal – a material connection that also informed the collection,” the PR notes. https://images.squarespace-cdn.com/content/v1/68b3039cb2488a6cd371585a/282a0b33-2ee2-4891-aed4-f6324453679e/Octi+SS26+The+Rocks+7.jpeg ARTICLES - Octi Presents The Rocks: SS26 A film by Ruby Harris complements the experience, showing a journey from the point of view of a tiny observer navigating the jewellery landscapes, the film reinforces the collection’s exploration of scale, texture, and the repetition of nature’s forms. The Rocks challenges the notion that jewellery must remain small and purely decorative. Through Octi’s vision, stones and metals become worlds in themselves, a collection where every piece carries the weight of time, terrain, and narrative. https://images.squarespace-cdn.com/content/v1/68b3039cb2488a6cd371585a/b2e4e525-a8b2-422c-8996-3a512243f751/Octi+SS26+The+Rocks+8.jpeg ARTICLES - Octi Presents The Rocks: SS26 Set design: Phoebe Shakespeare Artist collaborators: Ebb Collective (Lisa Darrer, Claire Pritchard, Rosalind Wilson), Lucy Page Sound: Toraigh Watson | Film: Ruby Harris | Scent: Malin + Goetz Garments: Skin Series | Styling: Lucy James | Hair: Matthew Tharp | Skin: Takeru Urushibara Casting: Tide Casting | Models: Amal Oluwatobi, Sam Beukenholdt, Ava Skye Bavington Production: Blonstein | Lookbook photography: Sam Nicklin | Creative direction: Octi Ransom https://www.clastmagazine.com/articles/how-to-read-the-painting-the-end-of-the-internet-which-end-by-rachel-megawhat monthly 0.5 2025-09-30 https://images.squarespace-cdn.com/content/v1/68b3039cb2488a6cd371585a/85399bbe-ded8-410a-84b0-5c53c9b7943b/end+of+the+internet.jpg ARTICLES - How to read the painting "The End Of The Internet (which end)" by Rachel Megawhat - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.clastmagazine.com/articles/blog-post-title-one-5yhhf-pk7er-cfral monthly 0.5 2025-09-03 https://images.squarespace-cdn.com/content/v1/68b3039cb2488a6cd371585a/aba6e7f3-c52a-4f94-a498-69b57e75a93a/DSCF6009_fh.jpg ARTICLES - FOTOHANE DARKROOM Though Mardin is often described as "a beautiful and historic city," as Serbest puts it, he soon noticed divisions, particularly tensions between the Turkish government and Kurdish groups, including the Kurdistan Workers' Party. He explains that, during this period, Mardin became a city where many Iraqis and Syrians sought refuge. Despite the shared languages — Turkish, Kurdish, and Arabic — he observed an alarming lack of connection between these communities. “There was no integration among the people. Local Arabs, Arab refugees, local Kurds, and Kurdish refugees — they all spoke the same language, yet there was no communication between them,” Serbest says. https://images.squarespace-cdn.com/content/v1/68b3039cb2488a6cd371585a/5f266291-f0f7-4119-b1f0-4b64b0907d01/Zehra_10_img0005.jpeg ARTICLES - FOTOHANE DARKROOM As for the workshops within Fotohane, the photography sessions often explore alternative printing methods, such as photograms and pinhole cameras. Beyond photography, Serbest emphasises that the workshops are designed to foster participation and inclusion by involving children in every step, free from adult interference or manipulation, while also addressing gender equality, children's rights, and peer support. https://www.clastmagazine.com/articles/blog-post-title-one-5yhhf-pk7er monthly 0.5 2025-09-04 https://www.clastmagazine.com/articles/blog-post-title-one-5yhhf monthly 0.5 2025-09-03 https://images.squarespace-cdn.com/content/v1/68b3039cb2488a6cd371585a/be1b0e51-0e99-4181-b324-2f19197c2649/IMG_4228.jpeg ARTICLES - KEN NWADIOGBU, YELLOW IS THE NEW BLACK. The majority of these latest works are painted onto the back of Akwete cloth, a hand-woven textile produced in Igboland. The patterns on the work, which are specific to the Akwete village and used to mark different occasions or events, are left untouched so that Nwadiogbu’s mark-making enacts a visual dialogue, drawing a subtle connection between the experiences he is painting and the act of ritual or celebration. A standout piece, “Love & Survival,” hangs from a curtain rail, its frayed edges evoking a flag or ceremonial garment. The scene is one of the most surreal in the exhibition: a small boy holds a spear in a fishing boat while above him two hands hover, joined by a piece of disintegrating string. It was made at a time when the artist was struggling with a romantic relationship due to his move away from Nigeria to London, in pursuit of furthering his career. Meanwhile, a circular canvas entitled “Ascension” depicts the artist in a moment of transcendence: climbing onto the roof of a building, with feathered wings sprouting from his back. It reflects on the sense of expansiveness – and precarity – he felt on returning to London, and the unknowns and possibilities that decision promised. https://www.clastmagazine.com/articles/blog-post-title-one-5yhhf-pk7er-w4n7f monthly 0.5 2025-09-03 https://images.squarespace-cdn.com/content/v1/68b3039cb2488a6cd371585a/b01c2a09-b2cb-4117-90d7-5c77a1eaf248/Ciaran+3.jpg ARTICLES - MR DOG FACE https://images.squarespace-cdn.com/content/v1/68b3039cb2488a6cd371585a/a14c3d22-a368-42c3-8149-2c85efb0a283/Ciaran+2.jpg ARTICLES - MR DOG FACE https://www.clastmagazine.com/home daily 1.0 2026-03-10 https://www.clastmagazine.com/contact daily 0.75 2025-09-03 https://images.squarespace-cdn.com/content/v1/68b3039cb2488a6cd371585a/bb08e182-1e32-42c4-9f2a-2441301416a6/IMG_7017.jpg https://www.clastmagazine.com/faqs daily 0.75 2026-03-10 https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1618497259178-6XJGK9GR6YAVBQL5L519/20140301_Trade-151_012-2.jpg FAQs https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1607694583486-2PQT0LQ193RL7MCB6DX4/20140228_Trade+151_0046.jpg FAQs https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1607694644871-IC85FNH781UNZSZEGHDR/Aro+Ha_0428.jpg FAQs https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1607638148090-Y6OFDI575CM3NQV732RJ/Large+JPG-Aro+Ha_0387.jpg FAQs https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1607628784608-5D22G9GPLHDSAB2IXC2G/Large+JPG-Aro+Ha_0638.jpg FAQs https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847743861-GWVMBPD7Z7WQRQL9IZZ8/Large+JPG-Aro+Ha_0380.jpg FAQs https://www.clastmagazine.com/shop daily 0.75 2025-10-10 https://www.clastmagazine.com/shop/p/issue-7-pre-order monthly 0.5 2026-03-24 https://images.squarespace-cdn.com/content/v1/68b3039cb2488a6cd371585a/805a182f-a3f4-4ca2-8132-95fb9e5500f4/CLAST+MAG+PRE+ORDE+2.JPG SHOP - ISSUE 7 PRE-ORDER - CLAST MAG PRE ORDE 2.JPG https://images.squarespace-cdn.com/content/v1/68b3039cb2488a6cd371585a/18cbf1dc-c1af-47f1-a13e-168f1674ccf0/REE+2.JPG SHOP - ISSUE 7 PRE-ORDER - REE 2.JPG https://images.squarespace-cdn.com/content/v1/68b3039cb2488a6cd371585a/faf63602-5406-42c5-8199-9fb2e457be4a/REEEE+2.JPG SHOP - ISSUE 7 PRE-ORDER - REEEE 2.JPG https://www.clastmagazine.com/shop/p/issue-6-pre-order monthly 0.5 2026-03-23 https://images.squarespace-cdn.com/content/v1/68b3039cb2488a6cd371585a/a39de0a0-2cd0-4539-bd72-ffa3e7a21c65/iss.jpg SHOP - ISSUE 6 - iss.jpg https://images.squarespace-cdn.com/content/v1/68b3039cb2488a6cd371585a/de64a318-90aa-4c8b-a716-a4e018537c70/RELEASE2.jpg SHOP - ISSUE 6 - RELEASE2.jpg https://www.clastmagazine.com/shop/p/issue-5-pre-order monthly 0.5 2025-11-03 https://images.squarespace-cdn.com/content/v1/68b3039cb2488a6cd371585a/cc009f88-16d5-49a6-bdd0-6c7fd6ee07eb/PREORDERISS51W+copy.jpg SHOP - ISSUE 5 - PREORDERISS51W copy.jpg https://images.squarespace-cdn.com/content/v1/68b3039cb2488a6cd371585a/95646fa9-a935-4287-8f79-eb7fb00608d4/ISS5.jpg SHOP - ISSUE 5 - ISS5.jpg https://www.clastmagazine.com/shop/p/issue-1 monthly 0.5 2025-08-31 https://images.squarespace-cdn.com/content/v1/68b3039cb2488a6cd371585a/07358339-e6d7-44a6-af2d-642b9b6c51e6/iss1web.jpg SHOP - ISSUE 1 - iss1web.jpg https://www.clastmagazine.com/shop/p/issue-3 monthly 0.5 2025-08-30 https://images.squarespace-cdn.com/content/v1/68b3039cb2488a6cd371585a/01c0d205-f615-470b-b699-feaf044322e3/IMG_1091.jpg SHOP - ISSUE 3 - IMG_1091.jpg https://www.clastmagazine.com/shop/p/issue-2 monthly 0.5 2025-08-30 https://images.squarespace-cdn.com/content/v1/68b3039cb2488a6cd371585a/c3d59d25-43bb-4515-a675-80c41ed007f5/IMG_8325.JPG SHOP - ISSUE 2 - IMG_8325.JPG https://www.clastmagazine.com/shop/p/product-2-5c6mb-j8mng-d77a4 monthly 0.5 2025-08-30 https://images.squarespace-cdn.com/content/v1/68b3039cb2488a6cd371585a/6ea93cf9-8635-4400-9e45-77a330bfcb2a/OUTNOW3.jpg SHOP - ISSUE 4 - OUTNOW3.jpg